Story Writing Quotes
The best sayings about Story Writing that you can share on Instagram, Pinterest, Facebook and other social networks!
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Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
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Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
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If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
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Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.
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I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
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I'll give you the whole secret to short story writing. Here it is. Rule 1: Write stories that please yourself. There is no Rule 2.
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The greatest compliment a writer can be given is that a story and character hold a reader spellbound. Im caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
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When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.
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I have been successful probably because I have always realized that I knew nothing about writing and have merely tried to tell an interesting story entertainingly.
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I love writing. I love the swirl and swing of words as they tangle with human emotions.
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Fill your paper with the breathings of your heart.
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I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
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Tell the readers a story! Because without a story, you are merely using words to prove you can string them together in logical sentences.
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And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
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Here in Manto's own words that he wanted to mark his grave with: "In the name of God, the Compassionate, the Merciful Here lies Saadat Hasan Manto and with him lie buried all the secrets and mysteries of the art of short-story writing.... Under tons of earth he lies, still wondering who among the two is greater short-story writer: God or He.
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The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story.... Writing is seduction. Good talk is part of seduction.
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If there's a book you really want to read, but it hasn't been written yet, then you must write it.
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I don't care if a reader hates one of my stories, just as long as he finishes the book.
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People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
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A short story must have a single mood and every sentence must build towards it.
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Daydreaming had started me on the way; but story writing once I was truly in its grip, took me and shook me awake.
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If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
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You can't wait for inspiration. You have to go after it with a club.
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Find the key emotion; this may be all you need know to find your short story.
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Not that the story need be long, but it will take a long while to make it short.
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I do think that short story writing is often a matter of luck.
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If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
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While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.
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There is nothing to writing. All you do is sit down at a typewriter and bleed.
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Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don't see any.
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