Melodrama Quotes
The best sayings about Melodrama that you can share on Instagram, Pinterest, Facebook and other social networks!
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So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
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One can play comedy, two are required for melodrama, but a tragedy demands three.
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In drama, the characters should determine the story. In melodrama, the story determines the characters.
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But the truth of the matter is, that was fairly, fairly early on in Goebbels' 800 movies that he made in Germany. The majority of them, especially once the war got going, you hardly saw Nazi officers in it at all. They were mostly musicals and comedies and melodramas and stories of great German men from the past.
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Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds. But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.
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Fighting your ego is a melodrama of the ego.
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I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
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If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
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Kenney knows two essential truths about melodrama: First that it is most powerful when combined with irony and understatement; and second that it is a salient feature of modern life.
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What's interesting is that Citizen Kane was meant as an anti-fascist/anti-capitalist melodrama and for Donald Trump it becomes just another kind of misogynistic claim that misses the point.
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Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.
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All the political angst and moral melodrama about getting 'the rich' to pay 'their fair share' is part of a big charade. This is not about economics, it is about politics.
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Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
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Come on, Kaylee, before I choke on testosterone and melodrama.
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He had the air of a spy in a melodrama, missing nothing, liking nothing, looking forward to the great day when everything would be turned upside down.
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I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
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I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.
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I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.
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I feel the need to chastise myself. A movie that's a partial musical, full-on melodrama, should require a tremendous amount of planning.
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All good, clean stories are melodrama, it's just the set of devices that determines how you show or hide it.
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Being in the moment means not being distracted by the melodrama and hysteria around you. Present-moment awareness allows solutions to emerge.
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What concerns me fundamentaly is a meteoric burlesk melodrama, born of the immemorial adage love will find a way.
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Love in France is a comedy; in England a tragedy; in Italy an opera seria; and in Germany a melodrama.
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The London season is like one of those Drury Lane melodramas in which marriage is always the ending. And no one ever seems to give any thought as to what happens after. But marriage isn’t the end of the story it’s the beginning. And it demands the efforts of both partners to make a success of it.
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[H]istory is a melodrama on the theme of parasitism, characterized by scenes that are exciting or dull, as the case may be, and many a sudden stagetrick.
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Nobody beats a bunch of journalists for inflating their rather mundane straightforward chores with a lot more melodrama and self-importance than the job should be asked to contain.
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Post-wounded women know that postures of pain play into limited and outmoded conceptions of womanhood. Their hurt has a new native language spoken in several dialects: sarcastic, jaded, opaque; cool and clever. They guard against those moments when melodrama or self-pity might split their careful seams of intellect, expose the shame of self-absorption without self-awareness.
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In this context of achievement-and-death, artist who make Happenings are living out the purest melodrama. Their activity embodies the myth of nonsuccess, for Happenings cannot be sold and taken home; they can only be supported.
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Happiness is not a possession to be prized, it is a quality of thought, a state of mind.
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I like melodrama because it is situated just at the meeting point between life and theater.
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