Cabaret Quotes
The best sayings about Cabaret that you can share on Instagram, Pinterest, Facebook and other social networks!
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What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret.
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He'd actually done it! He leaned back into the microphone and whispered to the now silent cave: 'Come to the Cabaret!
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It's fun! Just fun...I don't think of it as a cabaret act per se, I call it more of a gig, if that makes any sense
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Life isn't a cabaret. It's a dive bar.
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I'm going to be a great film star. That is, if booze and sex don't get me first.
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If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
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I've actually found - especially doing my cabaret show - I'm connecting with people in a way I haven't connected with them. I've found that when you're open and honest, people respond to that, whatever you're being open and honest about. You could then, when you lay that as the groundwork, say, "Here I am. This is what I think. I come in peace." Then you're able to push out, to be able to talk about more things. And that's been a really heartening thing about my life, actually.
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I think that's the graveyard of musicians, playing cabaret. I think I'd rather be dead than work in cabaret. It's just so depressing.
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In the cabaret of globalization, the state shows itself as a table dancer that strips off everything until it is left with only the minimum indispensable garments: the repressive force.
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I discovered lots of music; electronic synth bands from the mid-'80s like Depeche Mode, Soft Cell and Cabaret Voltaire. My friends and I used to take two-hour trips to the record store in Newcastle and we started buying copies of The Face and i-D. And then I went to art school and as time progressed, I ended up where I am now.
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I went to Juilliard in New York and used to do cabarets just for fun. Occasionally, I would get together with a jazz musician and play at a restaurant for cash. And I've done some background vocals for recording artists.
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To be serious, the things you really want to relive are things like bedtime with your daughter when she becomes incredibly entertaining 'cause she doesn't want to go to sleep. They're at their most enchanting 'cause they just want to put it off, so they do a cabaret for you. You sit there thinking, "Please don't let this end."
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I don't know how to explain how, probably to my detriment, unselfpromoting I am. I used to have a cabaret act and I didn't even like to tell me people about that. I really hate selling myself.
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A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
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I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.
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I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'
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Life is a cabaret, old chum! Come to the Cabaret.
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Chicago is constantly auditioning for the world, determined that one day, on the streets of Barcelona, in Berlin's cabarets, in the coffee shops of Istanbul, people will know and love us in our multidimensional glory, dream of us the way they dream of San Francisco and New York.
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I grew up listening to cabaret. At 7 and 8 years old, I was already singing like a club performer.
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Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
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As for music, my tastes are eclectic. Elvis Costello is my all-time favorite. I listen to a lot of jazz, primarily the great female vocalists, and I am very fond of the late cabaret singer Nancy Lamott.
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I am the last of the Mohicans, the creme de la creme of cabaret.
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I have a great interest in Victorian musical & cabaret performances and Weimar artists so the references are there, to Cabaret and also All That Jazz and other films where, where there's a kind of (influential German playwright Bertolt) Brecht-ian approach, almost to the character standing outside of himself or, in this case, he's "self-séance-ing."
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What a turnaround in sentiment 'Glee' exemplifies. It was only a few years ago that pursuing the dream of a Broadway career or cabaret stardom relegated some poor yearning dope to a lavender ghetto of losers, self-deluders, and social rejects.
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Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.
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I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!
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A one woman cabaret of emotional impressionism
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There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.
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The spirit of punk-cabaret is that you feel that you can truly be all of who you are.
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I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.
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Top Authors
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Jo Labadie Activist -
Jim Sturgess Actor -
Jimmy Jean-Louis Actor -
Jill Johnston Author -
Joanna Macy Author -
Jodi Hills Author -
Jim Cleamons Basketball player -
Jillian Bell Comedian -
Jet Li Film actor -
Jim Bailey Film actor -
Joan Winmill Brown Film actress
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Joe Bob Briggs Film critic -
Joel Silver Film Producer -
Jinxx Guitarist -
Joan Jett Guitarist -
Joan Anderson Journalist -
Jetsunma Ahkon Lhamo Lama -
Jessica Hart Model -
Joel Selvin Music criticism -
Joe Strummer Musician -
Joel Sartore Photographer -
Johann Joachim Becher Physician -
Jimmy Santiago Baca Poet -
Joanna Baillie Poet -
Jill Johnson Singer -
Jhene Aiko Singer-songwriter -
Jill Sobule Singer-songwriter
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