Stella Vine Quotes
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A common misperception of me is that I am a victim. I am not a victim. I am just honest about how things affect me.
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Perhaps the people I choose to paint are often objects of derision - celebrity is a bit of a put-down term, isn't it? But to me they are my world.
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Books are my one luxury. I have a lot of large coffee-table-size art books, in the shelves above my bed, about people like Warhol, Basquiat and Velasquez.
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Even in the most horrendous situations there is always something to smile about.
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I do have a very, very big problem with someone who saw me coming and exploited me as a mascot.
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I like to watch old films. Meet Me in St Louis, Cul-de-Sac and Buffalo 66 are some of my favourites.
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I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours.
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I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.
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I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.
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I like strong/vulnerable interesting women, and then sometimes I like painting beautiful men, like Kurt Cobain, or Mr Darcy.
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My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.
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I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.
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On Christmas Day I'll head off for a couple of laps around the Serpentine, or a trek around the whole of Hyde Park. Or I'll walk right across town, with Curtis, my son Jamie's bull mastiff.
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I've lived on my own since I was 13 and not been to school and brought a son up who's now 18 and run theatre companies and bought a butcher's shop, learnt guitar by myself, taught myself to sing and that sort of stuff.
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I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.
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