Samuel Johnson Quotes About Fame
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A man who always talks for fame never can be pleasing. The man who talks to unburthen his mind is the man to delight you.
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When once a man has made celebrity necessary to his happiness, he has put it in the power of the weakest and most timorous malignity, if not to take away his satisfaction, at least to withhold it. His enemies may indulge their pride by airy negligence and gratify their malice by quiet neutrality.
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An author places himself uncalled before the tribunal of criticism and solicits fame at the hazard of disgrace.
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It is more reasonable to wish for reputation while it may be enjoyed, as Anacreon calls upon his companions to give him for present use the wine and garlands which they propose to bestow upon his tomb.
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Those who have any intention of deviating from the beaten roads of life, and acquiring a reputation superior to names hourly swept away by time among the refuse of fame, should add to their reason and their spirit the power of persisting in their pur
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There are, indeed, few kinds of composition from which an author, however learned or ingenious, can hope a long continuance of fame.
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The mental disease of the present generation is impatience of study, contempt of the great masters of ancient wisdom, and a disposition to rely wholly upon unassisted genius and natural sagacity. The wits of these happy days have discovered a way to fame, which the dull caution of our laborious ancestors durst never attempt; they cut the knots of sophistry, which it was formerly the business of years to untie, solve difficulties by sudden irradiations of intelligence, and comprehend long processes of argument by immediate intuition.
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When first the college rolls receive his name, The young enthusiast quilts his ease for fame; Through all his veins the fever of renown Burns from the strong contagion of the gown
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Time quickly puts an end to artificial and accidental fame
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No cause more frequently produces bashfulness than too high an opinion of our own importance. He that imagines an assembly filled with his merit, panting with expectation, and hushed with attention, easily terrifies himself with the dread of disappointing them, and strains his imagination in pursuit of something that may vindicate the veracity of fame, and show that his reputation was not gained by chance.
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We have always pretensions to fame which, in our own hearts, we know to be disputable.
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A successful author is equally in danger of the diminution of his fame, whether he continues or ceases to write.
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The hostility perpetually exercised between one man and another, is caused by the desire of many for that which only few can possess. Every man would be rich, powerful, and famous; yet fame, power, and riches, are only the names of relative conditions, which imply the obscurity, dependence, and poverty of greater numbers.
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He that is pushing his predecessors into the gulf of obscurity, cannot but sometimes suspect, that he must himself sink in like manner, and, as he stands upon the same precipice, be swept away with the same violence.
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There is a certain race of men that either imagine it their duty, or make it their amusement, to hinder the reception of every work of learning or genius, who stand as sentinels in the avenues of fame, and value themselves upon giving Ignorance and Envy the first notice of a prey.
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To expect that the intricacies of science will be pierced by a careless glance, or the eminences of fame ascended without labour, is to expect a peculiar privilege, a power denied to the rest of mankind; but to suppose that the maze is inscrutable to diligence, or the heights inaccessible to perseverance, is to submit tamely to the tyranny of fancy, and enchain the mind in voluntary shackles.
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It is advantageous to an author that his book should be attacked as well as praised. Fame is a shuttlecock. If it be struck at one end of the room, it will soon fall to the ground. To keep it up, it must be struck at both ends.
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Men have solicitude about fame; and the greater share they have of it, the more afraid they are of losing it.
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I look upon this as I did upon the Dictionary: it is all work, and my inducement to it is not love or desire of fame, but the want of money, which is the only motive to writing that I know of.
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Advice, as it always gives a temporary appearance of superiority, can never be very grateful, even when it is most necessary or most judicious. But for the same reason everyone is eager to instruct his neighbours. To be wise or to be virtuous is to buy dignity and importance at a high price; but when nothing is necessary to elevation but detection of the follies or faults of others, no man is so insensible to the voice of fame as to linger on the ground.
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To get a name can happen but to few. A name, even in the most commercial nation, is one of the few things which cannot be bought . It is the free gift of mankind, which must be deserved before it will be granted, and is at last unwillingly bestowed.
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Every man has a lurking wish to appear considerable in his native place.
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He that pursues fame with just claims, trusts his happiness to the winds; but he that endeavors after it by false merit, has to fear, not only the violence of the storm, but the leaks of his vessel.
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None of the projects or designs which exercise the mind of man are equally subject to obstructions and disappointments with the pursuit of fame.
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Nothing detains the reader's attention more powerfully than deep involutions of distress, or sudden vicissitudes of fortune; and these might be abundantly afforded by memoirs of the sons of literature. They are entangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time, from which some increase or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book.
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The love of fame is a passion natural and universal, which no man, however high or mean, however wise or ignorant, was yet able to despise.
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A successful author is equally in danger of the diminution of his fame, whether he continues or ceases to write. The regard of the public is not to be kept but by tribute, and the remembrance of past service will quickly languish unless successive performances frequently revive it. Yet in every new attempt there is new hazard, and there are few who do not, at some unlucky time, injure their own characters by attempting to enlarge them.
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The greatest human virtue bears no proportion to human vanity. We always think ourselves better than we are, and are generally desirous that others should think us still better than we think ourselves. To praise us for actions or dispositions which deserve praise is not to confer a benefit, but to pay a tribute. We have always pretensions to fame which, in our own hearts, we know to be disputable, and which we are desirous to strengthen by a new suffrage; we have always hopes which we suspect to be fallacious, and of which we eagerly snatch at every confirmation.
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Every man, however hopeless his pretensions may appear, has some project by which he hopes to rise to reputation; some art by which he imagines that the attention of the world will be attracted; some quality, good or bad, which discriminates him from the common herd of mortals, and by which others may be persuaded to love, or compelled to fear him.
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