Samuel Johnson Quotes About Art
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I am far from any intention to limit curiosity, or confine the labours of learning to arts of immediate and necessary use. It is only from the various essays of experimental industry, and the vague excursions of mind set upon discovery, that any advancement of knowledge can be expected; and though many must be disappointed in their labours, yet they are not to be charged with having spent their time in vain; their example contributed to inspire emulation, and their miscarriage taught others the way to success.
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Deign on the passing world to turn thine eyes, And pause awhile from letters, to be wise.
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Providence has fixed the limits of human enjoyment by immovable boundaries, and has set different gratifications at such a distance from each other, that no art or power can bring them together. This great law it is the business of every rational being to understand, that life may not pass away in an attempt to make contradictions consistent, to combine opposite qualities, and to unite things which the nature of their being must always keep asunder.
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A man who exposes himself when he is intoxicated, has not the art of getting drunk.
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It is justly considered as the greatest excellency of art to imitate nature; but it is necessary to distinguish those parts of nature which are most proper for imitation: greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness. If the world be promiscuously described, I cannot see of what use it can be to read the account; or why it may not be as safe to turn the eye immediately upon mankind, as upon a mirror which shows all that presents itself without discrimination.
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Affectation is to be always distinguished from hypocrisy as being the art of counterfeiting those qualities, which we might with innocence and safety, be known to want. Hypocrisy is the necessary burden of villainy; affectation part of the chosen trappings of folly.
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All to whom want is terrible, upon whatever principle, ought to think themselves obliged to learn the sage maxims of our parsimonious ancestors, and attain the salutary arts of contracting expense; for without economy none can be rich, and with it few can be poor.
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Whisky making is the art of making poison pleasant
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Art hath an enemy called ignorance.
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In solitude we have our dreams to ourselves, and in company we agree to dream in concert.
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The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice.
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Quack: A boastful pretender to arts which he does not understand. A vain boastful pretender to physick; An artful, tricking practitioner in physick.
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The whole power of cunning is privative; to say nothing, and to do nothing , is the utmost of its reach. Yet men, thus narrow by nature and mean by art, are sometimes able to rise by the miscarriages of bravery and the openness of integrity, and, watching failures and snatching opportunities, obtain advantages which belong to higher characters.
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I fancy mankind may come, in time, to write all aphoristically, except in narrative; grow weary of preparation, and connection, and illustration, and all those arts by which a big book is made.
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It is the great privilege of poverty to be happy unenvied, to be healthful without physic, and secure without a guard; to obtain from the bounty of nature, what the great and wealthy are compelled to procure by the help of artists and attendants, of flatterers and spies.
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I would rather be attacked than unnoticed. For the worst thing you can do to an author is to be silent as to his works.
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The trade of advertising is now so near to perfection that it is not easy to propose any improvement. But as every art ought to be exercized in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.
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The end of writing is to instruct; the end of poetry is to instruct by pleasing.
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Poetry is the art of uniting pleasure with truth.
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The authour who imitates his predecessors only by furnishing himself with thoughts and elegances out of the same general magazine of literature, can with little more propriety be reproached as a plagiary, than the architect can be censured as a mean copier of Angelo or Wren, because he digs his marble out of the same quarry, squares his stones by the same art, and unites them in columns of the same orders.
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Dictionaries are like watches, the worst is better than none and the best cannot be expected to go quite true.
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No degree of knowledge attainable by man is able to set him above the want of hourly assistance, or to extinguish the desire of fond endearments and tender officiousness; and, therefore, no one should think it unnecessary to learn those arts by which friendship may be gained.
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The ambition of superior sensibility and superior eloquence disposes the lovers of arts to receive rapture at one time, and communicate it at another; and each labors first to impose upon himself and then to propagate the imposture.
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The chief art of learning, as Locke has observed, is to attempt but little at a time. The widest excursions of the mind are made by short flights frequently repeated; the most lofty fabrics of science are formed by the continued accumulation of single propositions.
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Novelty is indeed necessary to preserve eagerness and alacrity; but art and nature have stores inexhaustible by human intellects, and every moment produces something new to him who has quickened his faculties by diligent observation.
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All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance.
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No man but a blockhead ever wrote except for money.
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None but those who have learned the art of subjecting their senses as well as reason to hypothetical systems can be persuaded by the most specious rhetorician that the lots of life are equal; yet it cannot be denied that every one has his peculiar pleasures and vexations, that external accidents operate variously upon different minds, and that no man can exactly judge from his own sensations what another would feel in the same circumstances.
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New arts are long in the world before poets describe them; for they borrow everything from their predecessors, and commonly derive very little from nature or from life.
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Human reason borrowed many arts from the instinct of animals.
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