Mervyn Peake Quotes

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  • I was brooding, boy. Than which there is no richer pastime. It muffles one with rotting plumes. It gives forth sullen music. It is the smell of home.

    Home   Boys   Smell  
    Mervyn Peake (2008). “Titus Alone”, p.67, The Overlook Press
  • Why break the heart that never beat from love?

    Heart   Break   Beats  
    Mervyn Peake (2007). “Titus Groan”, p.348, The Overlook Press
  • Cold love’s the loveliest love of all. So clear, so crisp, so empty. In short, so civilized.

    Cold   Empty   Clear  
    Mervyn Peake (2008). “Titus Alone”, p.57, The Overlook Press
  • Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around it s Outer Walls.

    Wall   Taken   Mean  
    Mervyn Peake (2007). “Titus Groan”, p.12, The Overlook Press
  • I am clever enough to know that I am clever.

    Clever   Enough   Knows  
  • Yet not with all of me am I in love. Too much of my own quietness is with me.

    Mervyn Peake (2007). “Titus Groan”, p.160, The Overlook Press
  • There are times when the air that floats between mortals becomes, in its stillness and silence, as cruel as the edge of a scythe.

    Air   Silence   Scythes  
    Mervyn Peake (2008). “Titus Alone”, p.110, The Overlook Press
  • Through her, in microcosm, the wide earth sobbed. The starglobe sank in her; the colours faded. The death-dew rose and the wild birds in her breast climbed to her throat and gathered songless, hovering, all tumult, wing to wing, so ardent for those climes where all things end.

    Wings   Rose   Bird  
    Mervyn Peake (2007). “Titus Groan”, p.362, The Overlook Press
  • He had no longer any need for home, for he carried his Gormenghast within him. All that he sought was jostling within himself. He had grown up. What a boy had set out to seek a man had found, found by the act of living.

    Home   Boys   Men  
    Mervyn Peake (2008). “Titus Alone”, p.268, The Overlook Press
  • When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.

    Eye   Doors   Iron  
  • Years on end, and swords on end - where will it end, if our ears unbend - what shall I spend on a wrinkled friend in a pair of tights like a bunch of lights?

    Light   Years   Tights  
    Mervyn Peake (2007). “Titus Groan”, p.239, The Overlook Press
  • It was not certain what significance the ceremony held... but the formality was no less sacred for it being unintelligible

    Mervyn Peake (2007). “Titus Groan”, p.236, The Overlook Press
  • For what use are books to anyone whose days are like a rook's nest with every twig a duty.

    Book   Use   Nests  
    Mervyn Peake (2007). “Titus Groan”, p.324, The Overlook Press
  • The moon slid inexorably into its zenith, the shadows shrivelling to the feet of all that cast them, and as Rantel approached the hollow at the hem of the Twisted Woods he was treading in a pool of his own midnight.

    Moon   Feet   Shadow  
    Mervyn Peake (1995). “The Gormenghast Novels”, Overlook Books
  • [Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience.

    Dream   Book   Giving  
    Mervyn Peake (2011). “The Illustrated Gormenghast Trilogy”, Random House
  • I am the wilderness lost in man.

    Men   Wilderness   Lost  
  • He saw in happiness the seeds of independence, and in independence the seeds of revolt.

    Mervyn Peake (2007). “Titus Groan”, p.21, The Overlook Press
  • There is a brotherhood among the kindly- Closer and defter and more integral- Than any of aisle or coven- For love rang out before the chapel bell

  • For death is life. It is only living that is lifeless.

    Mervyn Peake (2007). “Gormenghast”, p.72, The Overlook Press
  • What is Time... That you speak of it so subserviently? Are we to be the slaves of the sun, that second-hand, overrated knob of gilt, or of his sister, that fatuous circle of silver paper? A curse upon their ridiculous dictatorship!

    Time   Hands   Circles  
    Mervyn Peake (2007). “Titus Groan”, p.239, The Overlook Press
  • This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

    Night   Ivy   Long  
    Mervyn Peake (2007). “Titus Groan”, p.12, The Overlook Press
  • Something to remember, that: cats for missiles.

    Cat   Remember   Missiles  
    Mervyn Peake (2007). “Titus Groan”, p.303, The Overlook Press
  • Mount and begone. The world awaits you.

    World  
    Mervyn Peake (1995). “The Gormenghast Novels”, Overlook Books
  • We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect.

    Mervyn Peake (2007). “Titus Groan”, p.230, The Overlook Press
  • The crumbling castle, looming among the mists, exhaled the season, and every cold stone breathed it out. The tortured trees by the dark lake burned and dripped, their leaves snatched by the wind were whirled in wild circles through the towers. The clouds mouldered as they lay coiled, or shifted themselves uneasily upon the stone skyfield, sending up wreathes that drifted through the turrets and swarmed up hidden walls.

    Wall   Dark   Lakes  
    Mervyn Peake (2007). “Titus Groan”, p.161, The Overlook Press
  • To live at all is miracle enough.

    Mervyn Peake (2012). “Collected Poems”, p.307, Carcanet
  • And now, my poor old woman, why are you crying so bitterly? It is autumn. The leaves are falling from the trees like burning tears- the wind howls. Why must you mimic them?

    Fall   Autumn   Wind  
    Mervyn Peake (1995). “The Gormenghast Novels”, Overlook Books
  • Each day I live in a glass room unless I break it with the thrusting of my senses and pass through the splintered walls to the great landscape.

  • Countless candles dribbled with hot wax, and their flames, like little flags, fluttered in the unchartered currents of air. Thousands of lamps, naked, or shuttered behind coloured glass, burned with their glows of purple, amber, grass-green, blue, blood red and even grey. The walls of Gormenghast were like the walls of paradise or like the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plumaged seraphim; the scales of Satan.

    Wall   Purple   Glasses  
    Mervyn Peake (2007). “Gormenghast”, p.226, The Overlook Press
  • As I see it, life is an effort to grip before they slip through one's fingers and slide into oblivion, the startling, the ghastly or the blindingly exquisite fish of the imagination before they whip away on the endless current and are lost for ever in oblivion's black ocean.

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    Mervyn Peake quotes about: Moon Wall