Kevin Kline Quotes
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People ask, 'What's the best role you've ever played?' The next one.
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It was all completely incomprehensible to me. I was fearful of the language. You had to look up every third word.
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Some of my favorite characters that I've played have been very pompous because I love making fun of pompous people.
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I've done a couple of movies for scale, and it's the only way to get a lot of these independent movies made. The actors negotiate deals where they're given just enough money to live on during the filming, but then they participate in the back-end. If the movie suddenly makes a gazillion dollars, we'll participate in that profit.
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I'm a real pushover for animals.
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I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier.
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But, I do think, on a very simplistic level, that we can project onto dogs because they are so innocent. They don't come with a lot of baggage.
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Most of the comedies I've done have been rather farcical and extravagant.
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Hindsight. It's like foresight without a future.
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The technique's many benefits for actors include minimized tension, centeredness, vocal relaxation, and responsiveness, mind/body connection and about an inch and a half of additional height.
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I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.
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I never went to class. That the university graduated me at all is an indictment of our educational system.
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I see God as a song-and-dance man. If I had my way, he'd be able to carry a tune, too. Preferably, one of mine.
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I just don't think I'm a very good singer.
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I've got the Jewish guilt and the Irish shame and it's a hell of a job distinguishing which is which.
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Nothing makes an actor feel freer and more inventive and more creative than being trusted.
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But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
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Well, the whole trick to doing an independent film, is to keep great pace and momentum. You're shooting maybe three times as many scenes in one day that you would on a big, luxurious budget on a luxurious schedule, and you try not to sacrifice quality for that. Things are just compressed, but essentially the same.
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Ambition without contribution is of no significance.
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I've never felt completely satisfied with what I've done. I tend to see things too critically. I'm trying to get over that.
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I see a steady downward slope toward oblivion over the next three years. I'm pessimistic. Everything that's happened to me so far has been kind of flukey. I went into Twentieth Century because I wanted to work for Hal Prince. The part was too small according to my agent. I had been doing only leading parts, and he thought I should continue that. But the part was enlarged in rehearsal: songs were added, and it became more physicalized and showy. Then I won awards and got attention.
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Don't kiss a man who hasn't shaved.
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I think every American actor wants to be a movie star. But I never wanted to do stupid movies, I wanted to do films. I vowed I would never do a commercial, nor would I do a soap opera - both of which I did as soon as I left the Acting Company and was starving.
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Lots of people fantasize about what it would be like if they were president... Most think they'd be decent and wouldn't be corrupted at all, that they'd remain true to themselves.
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It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.
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Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.
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Just because you're not sweating doesn't mean you're not putting in the work.
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The worth of a life is not determined by a single failure or a solitary success.
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Dogs do have feelings. I gather.
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I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.
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