Juno Temple Quotes
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You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.
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Daniel Radcliffe is one of the hardest working people I have ever encountered and someone that so loves what he's doing and so eager to learn and is so brilliant at what he does.
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The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.
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There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.
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That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
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When you're first in love with somebody, and it's not true love, it's borderline obsession, it's kind of like an addiction. You switch into this weird, weird part of your mind when you just can't live without that person. And you want to envelop them. You want them flowing through your veins.
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But, I love making independent films. I love it! You create a family, and you sweat, you bleed, you cry, you shout, you laugh and you hug. It's such an extraordinary experience, making independent films.
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I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.
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I'm not someone who doesn't want to see the films, but I like to see them as an end product when the whole nuance of the character is put together.
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I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.
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I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.
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I think there are so many unmaiden roles for women. I've been lucky enough to play girls with lots of different attitudes about sex. There's a couple other movies at Sundance that also show sex in a different way. That's exciting. I actually don't think women are being pigeonholed right now, and I like that. It's showing that men and women - when it comes down to it, we're animals, aren't we? I know how my next-door neighbors feel about it, and I hope they're enjoying it.
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For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.
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It's better not to read your reviews. Just go and do the thing... it would drive you crazy otherwise.
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I hope I can keep acting because I love it. It's like a crazy, addictive rollercoaster... it takes you up and down, up and down, up and down but you just don't want to get off. I just want to keep challenging myself... finding new roles, trying out new things and learning.
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There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.
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On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.
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I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
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I think seeing films should be interactive. I'd rather have people see a film that I'm in and either absolutely love it or absolutely hate it, than be like, "Oh, yeah, it was good." That's the worst!
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If people want to criticize a performance, that I understand. I think that's important.
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I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.
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I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.
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I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.
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There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
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I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.
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I think its so exciting to try anything you possibly can.
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But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!
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You can't really help people until you've helped yourself first.
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My dad, Julien Temple, is unbelievable, so supportive. He's helped me to make such important decisions and he's so proud. I really admire him... I think he's one of the most talented people in this industry, so to have him be proud of what I'm doing is incredible.
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I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it?
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