John Ruskin Quotes About Character
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There is a certain period of the soul-culture when it begins to interfere with some of characters of typical beauty belonging to the bodily frame, the stirring of the intellect wearing down the flesh, and the moral enthusiasm burning its way out to heaven, through the emaciation of the earthen vessel; and there is, in this indication of subduing the mortal by the immortal part, an ideal glory of perhaps a purer and higher range than that of the more perfect material form. We conceive, I think, more nobly of the weak presence of Paul than of, the fair and ruddy countenance of David.
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We are only advancing in life, whose hearts are getting softer, our blood warmer, our brains quicker, and our spirits entering into living peace.
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I would have, then, our ordinary dwelling-houses built to last, and built to be lovely; as rich and full of pleasantness as may be within and without: . . . with such differences as might suit and express each man's character and occupation, and partly his history.
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So far as I have myself observed, the distinctive character of a child is to live always in the tangible present.
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A man is known to his dog by the smell, to his tailor by the coat, to his friend by the smile; each of these know him, but how little or how much depends on the dignity of the intelligence. That which is truly and indeed characteristic of the man is known only to God.
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Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
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Much of the character of everyman may be read in his house.
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My mother's influence in molding my character was conspicuous. She forced me to learn daily long chapters of the Bible by heart. To that discipline and patient, accurate resolve I owe not only much of my general power of taking pains, but of the best part of my taste for literature.
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Variety is a positive requisite even in the character of our food.
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You cannot have good architecture merely by asking people's advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste, or desire for beauty.
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It was stated, . . . that the value of architecture depended on two distinct characters:--the one, the impression it receives from human power; the other, the image it bears of the natural creation.
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