George Saunders Quotes About Language

We have collected for you the TOP of George Saunders's best quotes about Language! Here are collected all the quotes about Language starting from the birthday of the Writer – December 2, 1958! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 6 sayings of George Saunders about Language. We will be happy if you share our collection of quotes with your friends on social networks!
  • I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.

    Source: und.edu
  • Working with language is a means by which we can identify the bullshit within ourselves (and others).

    George Saunders (2012). “The Brain-Dead Megaphone”, p.63, A&C Black
  • What concerns me most is the horrible degradation our notions of truth, civility, and decency have undergone. Also the way that language has been malformed - we have been overcome with banality and the cynical misuse of language. When a candidate runs a campaign on a series of dog-whistles to bigots, then turns around and talks about "healing the wounds of division," that is right out of Orwell.

    Source: www.commonwealmagazine.org
  • I don't know how you feel, but I feel like writing, clarity of thought, and truth have been validated because we see what happens when we get lax in those areas. I'm excited by the idea that writers like us can actually reach out and try to understand and prod and agitate the people who are in support of Trump because we have the tools to do it. We're language people and we're idea people.

    Source: therumpus.net
  • The writer, in order to proceed, is theoretically trying to predict where his complex skein of language and image has left his reader, who he has likely never met and who is actually thousands of readers.

  • So much of what I am doing in my fiction is just trying to get into interesting places in terms of language or form, places that don't bore me. And this happens via hundreds of quick micro-decisions that are done "to taste," so to speak. So the experience is one of groping toward that interesting place - trying to leap away from anything that seems boring, or about which I don't have strong opinions. Essentially trying to avoid that moment where, devoid of any strong feeling, I start conceptualizing.

    Source: www.commonwealmagazine.org
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