Erica Jong Quotes About Writing

We have collected for you the TOP of Erica Jong's best quotes about Writing! Here are collected all the quotes about Writing starting from the birthday of the Author – March 26, 1942! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 49 sayings of Erica Jong about Writing. We will be happy if you share our collection of quotes with your friends on social networks!
  • Blocks usually stem from fear of being judged. If you imagine the world is listening, you'll never write a line.

  • I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.

  • Writing is one of the few professions left where you take all the responsibility for what you do. It's really dangerous and ultimately destroys you as a writer if you start thinking about responses to your work or what your audience needs.

    Charlotte Templin, Erica Jong (2002). “Conversations with Erica Jong”, p.7, Univ. Press of Mississippi
  • All authors know that any book is a casting of runes, a reading of cards, a map of the palm and heart. We make up the ocean - then fall in. But we also write the life raft.

    Erica Jong (2006). “Fear of Fifty”, p.235, Penguin
  • You are always naked when you start writing; you are always as if you had never written anything before; you are always a beginner. Shakespeare wrote without knowing he would become Shakespeare

  • One writes not by will but by surrender.

    Erica Jong (1999). “What Do Women Want?: Bread, Roses, Sex, Power”, Perennial
  • You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you.

  • What a damnably lonely profession writing is! In order to do it, one must banish the world, and having banished it, one feels cosmically alone.

    Erica Jong (1985). “Parachutes & kisses”, Signet
  • Writing about sex turns out to be just writing about life.

    FaceBook post by Erica Jong from Mar 14, 2013
  • But we should ask the question: Why should a writer be more than a writer? Why should a writer be a guru? Why are we supposed to be psychiatrists? Isn't it enough to write and tell the truth? It's not like telling the truth is common. Writers are the earthworms of society. We aerate the soil. That's enough.

  • I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.

  • The only rule I have when writing is to try to tell the truth. That doesn't mean you can't exaggerate, edit, rewrite things to make them more dramatic. But emotional truth is what I look for in writing.

  • I believe that there's a force of life in the universe, and that when we're writing or making music or painting, we're likely to connect with that flow.

    Interview with Whitney Joiner, logger.believermag.com. October 17, 2013.
  • I am not quite sure how writing changes things, but I know that it does. It is indirect-like the trails of earthworms aerating the earth. It is not always deliberate-like the tails of glowing dust dragged by comets.

    Erica Jong (1999). “What Do Women Want?: Bread, Roses, Sex, Power”, Perennial
  • the only people worth writing about are those about whom the last word cannot be said.

    Erica Jong (1994). “The Devil at Large: Erica Jong on Henry Miller”, p.52, Grove Press
  • When I sit down at my writing desk, time seems to vanish. I think it's a wonderful way to spend one's life.

    Charlotte Templin, Erica Jong (2002). “Conversations with Erica Jong”, p.130, Univ. Press of Mississippi
  • Each day that I don't write I get more fragmented.

  • I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.

    "Into the Lion's Den". www.theguardian.com. October 26, 2000.
  • Often I find that poems predict what I'm going to do later in my own writing, and often I find that poems predict my life. So I think poetry is the most intense expression of feeling that we have.

    FaceBook post by Erica Jong from Mar 01, 2016
  • Writing has often been accompanied by terror, silences, and then wild bursts of private laughter that suddenly make all the dread seem worthwhile.

    Erica Jong (2006). “Fear of Fifty”, p.17, Penguin
  • I write slowly by hand. Publishing is effectively bankrupt for you unless you are Danielle Steele. It takes a year to write book and advances are going down or disappearing.

  • Despite all the cynical things writers have said about writing for money, the truth is we write for love. That is why it is so easy to exploit us.

    Erica Jong (1999). “What Do Women Want?: Bread, Roses, Sex, Power”, Perennial
  • If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.

  • we write as if our lives depended upon it. They do.

    Erica Jong (2007). “What Do Women Want?: Essays by Erica Jong”, p.155, Penguin
  • It's easier to write about pain than about joy. Joy is wordless.

    FaceBook post by Erica Jong from Feb 25, 2012
  • Nothing quite has reality for me till I write it all down--revising and embellishing as I go. I'm always waiting for things to be over so I can get home and commit them to paper.

  • Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.

  • As a past president of the Writers Guild, I think women shouldn't write for free. Maybe you have to do it for a time, to make a reputation, but I think the idea of giving your work away is the beginning of authors not being able to make a living.

  • [Henry Miller] was such a scribomaniac that even when he lived in the same house as Lawrence Durrell they often exchanged letters. For most of his life, Henry wrote literally dozens of letters a day to people he could have easily engaged in conversation - and did. The writing process, in short, was essential. As it is to all real writers, writing was life and breath to him. He put out words as a tree puts out leaves.

  • We write poems / as leaves give oxygen - / so we can breathe.

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