Saxophone Quotes

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  • I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes.

    Eye   Night   Men  
    Donald Miller (2012). “Blue Like Jazz: Movie Edition: Nonreligious Thoughts on Christian Spirituality”, p.7, Thomas Nelson Inc
  • After one month with a saxophone shoved in my mouth, my military combatant's enthusiasm disappeared completely. Instead of flying choppers behind enemy lines, I started to fantasise about living in New York, London or Paris.

    Gilad Atzmon (2011). “The Wandering Who?: A Study of Jewish Identity Politics”, p.3, John Hunt Publishing
  • And I too wanted to be. That is all I wanted; and this is the last word. At the bottom of all these attempts which seemed without bounds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world.

    Men   Giving   Desire  
  • I'm very gratified that I had my little 15 minutes,or whatever [at the Thelonious Monk International Saxophone Competition]. It certainly didn't make me rich and famous. But it helped a little bit for a while.

  • Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.

    Writing   Simple   Giving  
  • We spent all day together [with Phil Wood] at that one particular lesson, which was maybe the third or fourth lesson, in from 11:00 in the morning to 11:00 at night. We often did a lot of varied things. It wasn't just about jazz language and the saxophone.

  • I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.

    Player   Voice   Lakes  
  • A lot of my video work is super lo-fi on purpose. I'm not trying to become technically super proficient. The only thing I'm interested in becoming technically proficient on is my alto saxophone.

    Trying   Video   Purpose  
    Source: thequietus.com
  • I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.

    Song   Artist   Play  
    Source: chicago.gopride.com
  • So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm looking to exploit them and develop them and have the fullest range of possibilities of the saxophone be known.

  • Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays.

    Night   Talking   Delay  
  • My father is a real idealist, and he's all about learning. If I asked for a pair of Nikes growing up, it was just a resounding 'No.' But if I asked for a saxophone, one would appear and next day and I'd be signed up for lessons. So anything to do with education or learning, my father would spare no expense.

  • I like to hear melodies that go from one extreme to the next- saxophone to a bell to a whistle, for instance.

    Music   Bells   Next  
  • The saxophone is actually a translation of the human voice, in my conception. All you can do is play melody. No matter how complicated it gets, it's still a melody.

    Music   Play   Voice  
  • Families that I lived with a little bit in junior high and quite a bit in high school and college. Just to have a safe, sane space with food and things like that. That's what I needed. And people were really kind and really generous. So I think the world kind of opened up my first years of performing arts, studying classical saxophone with Caesar DiMauro.

    Art   School   College  
  • If all else fails, I could go to a train station and open up my saxophone case and make some bucks. I can do "Mary Had A Little Lamb," I can do "Happy Birthday."

    Lambs   Bucks   Littles  
    Source: hiphopdx.com
  • Louis Armstrong changed all the brass players around, but after Bird, all of the instruments had to change - drums, piano, bass, trombones, trumpets, saxophones, everything.

  • The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.

  • You don't try to duplicate certain things that other cats do, because you could never do it as well as they do. Nobody can get on that tenor saxophone and play like Trane, because he's the only one who can spell out chords and sound good when he does it.

    Cat   Play   Trying  
  • When somebody turned me on to a Coltrane record around seventh grade, I took up saxophone.

  • The saxophone is the embodied spirit of beer.

    Beer   Saxophone   Spirit  
    Quoted in Derek Watson Music Quotations (1991).
  • If you like an instrument that sings, play the saxophone. At its best it's like the human voice.

    Play   Voice   Saxophone  
    "Readers recommend: best saxophone songs" by Peter Kimpton, www.theguardian.com. October 30, 2014.
  • I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.

    Mom   Home   Play  
    Source: www.harpersbazaar.com
  • Don't play the saxophone. Let it play you.

    "Words of Wisdom". Book edited by William Safire and Leonard Safir, p. 435, 1990.
  • After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.

    Interview with Michael Jarrett, www2.york.psu.edu. November 8, 1987.
  • The other saxophones, except as solo instruments, really don't have much point in the orchestra

  • I have not practiced saxophone since 1980. I mean, not one note. I do not pick it up in my house, and that's the end of it.

    Mean   House   Saxophone  
    "Interview hits dissonant chord with John Zorn" by Lee Hildebrand, www.sfgate.com. August 26, 2010.
  • When I got this saxophone, it became a religion. There wasn't TV, there wasn't much money, and there was just a real dedication.... I never thought of it as an art. It was just work that I loved. Not just work, but work that I loved. I loved it so much, I would play it if nobody listened to it. Any jazz musician, if there's nobody around to listen, would play just for the sheer joy of improvising music.

    Art   Real   Dedication  
  • That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.

    Beautiful   Rap   Rocks  
    Interview with Gregg Shapiro, chicago.gopride.com. January 22, 2016.
  • I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.

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