Crossover Quotes
The best sayings about Crossover that you can share on Instagram, Pinterest, Facebook and other social networks!
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There are places that are very draining. There are places where there is another dimensional crossover but to a dimension that is not powerful at all.
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On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.
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My poems and prose are not often in direct conversation with each other, but there's so much crossover - everything that comes out of that crucible of language - that working in poetry and prose is energizing - to me as a writer and to the work itself.
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I think the record-buying public know what they like, and when people are trying to pander to them, I think they know it. They want the genuine article, so if we try to sort of "dumb down" for the mass public, I think they're too smart for that, and would recognize us as fakes. It seems like the bands that do crossover do so really on their own terms, and they just find that their terms just kind of make a big dove-tail with the masses.
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From the music I make, to the things I do in my life, I'm true to my R&B core.
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There's a saying that goes around that says "I you crossover make sure you bring the cross over." That's definitely my heart and my aim. I want to remain distinct and authentically Christian in whatever realm I'm in.
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Poetry can be the bridge, the crossover point in the mind between the physical and the spiritual. A place where the two can meet.
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I loathe most crossover music. Yet I like to think when it comes to Code it's something different.
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Where's our Paul Newmans? Where's our Robert Redfords? We've got Jason Statham, who is great... blue collar and cool, which is fantastic. And we've got Hugh Grant, which is great. But where's this crossover, this blue collar guy who is cool? Where is our James Dean? Where is our John Travolta and Steve McQueen?
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I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."
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At these crossover points, there are a lot of beings, nonphysical beings that cross over back and forth constantly.
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My favorite type of music to sing is a crossover between country and pop.
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Death Cab is a militantly analog band. We'll continue moving forward with our sound, but there will be no crossover.
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Anyone who thinks designers don't talk to editors, and editors don't talk to stores doesn't know what's happening...It's called crossover, sampling all references in music, art and fashion.
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They believed you can't mix rock, country, and rap, and that crossover is dead. I always knew it would work. And it will always work as long as you're really into it and like what you're doing.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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I think The Eagles single-handedly destroyed country music - well, now, country music has been killed by rap crossovers, so it's hard to say. Maybe we can just agree that money killed country music.
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First, there are some of my readers who only read Hap and Leonard, not the other stuff, and some who don't read Hap and Leonard, but a large percentage are crossover readers. And yes, I did refuse to go to Vietnam and it looked like prison was in my future, but they sent me to the psychiatrist and he gave me a 1-Y, which is unfit for military service essentially.
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When you make that crossover from life to real life, when you're not treated as a child anymore but as a man, and you are no longer given the benefit of the doubt, it takes some courage to face that.
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Sometimes I get more of a mainstream crowd that just is not moving to what I'm playing. I have to have crossover secret weapons.
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I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
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It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
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I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
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I'll never understand the art world. But I kind of feel like there's been some art world/black metal crossovers happening for a while.
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Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
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Do you think that people ever really do believe they will die, that the world will just go along as always without them? I wonder if we aren't all a little surprised at the moment of crossover, if we don't look back over our shoulders saying, Now hold on.
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What I try to communicate is that there's a lot of crossover between that feeling of romantic heartbreak and this devastating feeling of knowing that we've punched a hole in the planet and it's spilling out oil and destroying the Gulf of Mexico and the ecosystem and seabirds and every creature.
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I never tried to crossover or be in the public's eye everyday. I'm laid back with it and at times I wondered if I was doing the right thing promoting myself staying back a little bit and coming out when I felt that I had too. But when I get all the accolades and hear the things people say it just puts it all together for me man. It's a blessing.
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That crossover of whether it's entertainment or news is the biggest crock of b.s. in television today, because it's all entertainment.
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Son-In-Law was kind of my crossover. It was the movie that brought me out of the MTV audience into the mainstream.
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