W. H. Auden Quotes About Poet

We have collected for you the TOP of W. H. Auden's best quotes about Poet! Here are collected all the quotes about Poet starting from the birthday of the Poet – February 21, 1907! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 2 sayings of W. H. Auden about Poet. We will be happy if you share our collection of quotes with your friends on social networks!
  • A poet can write about a man slaying a dragon, but not about a man pushing a button that releases a bomb.

    "Best Quotes of '54, '55, '56". Book edited by James Beasley Simpson, 1957.
  • In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.

  • Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems.

    W.H. Auden (2016). “Canción de cuna y otros poemas”, p.148, DEBOLS!LLO
  • The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.

  • What the poet says has never been said before, but, once he has said it, his readers recognize its validity for themselves.

  • Every poet has his dream reader: mine keeps a look out for curious prosodic fauna like bacchics and choriambs.

  • I will love you forever" swears the poet. I find this easy to swear too. "I will love you at 4:15 pm next Tuesday" - Is that still as easy?

  • A poet is, before anything else, a person who is passionately in love with language.

    "Poets at Work" by W. H. Auden, (p. 170), 1948.
  • Encased in talent like a uniform, The rank of every poet is well known; They can amaze us like a thunderstorm, Or die so young, or live for years alone.

    1940 'The Novelist'.
  • One demands two things of a poem. Firstly, it must be a well-made verbal object that does honor to the language in which it is written. Secondly, it must say something significant about a reality common to us all, but perceived from a unique perspective. What the poet says has never been said before, but, once he has said it, his readers recognize its validity for themselves.

  • To my generation no other English poet seemed so perfectly to express the sensibility of a male adolescent. If I do not now turn to him very often, I am eternally grateful to him for the joy he gave me in my youth.

    1972 Of A E Housman.'A Worcestershire Lad', collected in Forewords and After words (1973).
  • A poet is a professional maker of verbal objects.

  • If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni.

  • The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.

    "The Dyer's Hand, and Other Essays" by W. H. Auden, ("Writing"), (p. 22), 1962.
  • A poet feels the impulse to create a work of art when the passive awe provoked by an event is transformed into a desire to express that awe in a rite of worship.

  • No poet or novelist wishes he were the only one who ever lived, but most of them wish they were the only one alive, and quite a number fondly believe their wish has been granted.

    Dyer's Hand (1963) "Writing"
  • Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.

    "The Dyer's Hand, and Other Essays" by W. H. Auden, ("American Poetry"), (p. 367), 1962.
  • A writer, or at least a poet, is always being asked by people who should know better: “Whom do you write for?” The question is, of course, a silly one, but I can give it a silly answer. Occasionally I come across a book which I feel has been written especially for me and for me only. Like a jealous lover I don’t want anybody else to hear of it. To have a million such readers, unaware of each other’s existence, to be read with passion and never talked about, is the daydream, surely, of every author.

  • A poet must never make a statement simply because it is sounds poetically exciting; he must also believe it to be true.

  • Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.

    Another Time (1940) "In Memory of W. B. Yeats"
  • You will be a poet because you will always be humiliated.

    Entry for April 11, 1979. "Stephen Spender, Journals 1939-1983". Book by Stephen Spender, 1985.
  • A poet's hope: to be, like some valley cheese, local, but prized elsewhere.

    Collected Poems (1976) p. 639
  • By mourning tongues The death of the poet was kept from his poems.

    "In Memory of W. B. Yeats" l. 10 (1940)
  • The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.

  • The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing?

    "The Dyer's Hand, and Other Essays" by W. H. Auden, ("Writing"), (p. 27), 1962.
  • There has been a vast output of critical studies in contemporary poetry, some of them first rate, but I do not think that , as a rule, a poet should read them.

  • The poet marries the language, and out of this marriage the poem is born.

  • All poets adore explosions, thunderstorms, tornadoes, conflagrations, ruins, scenes of spectacular carnage. The poetic imagination is not at all a desirable quality in a statesman.

    "The Dyer's Hand, and Other Essays". Book by W. H. Auden. Chapter: "The Poet and The City", p. 84, 1962.
  • Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.

  • A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.

    "Paris Review", Writers at Work, 4th series, (p. 251), 1972.
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