Niccolo Machiavelli Quotes About Art

We have collected for you the TOP of Niccolo Machiavelli's best quotes about Art! Here are collected all the quotes about Art starting from the birthday of the Historian – May 3, 1469! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 2 sayings of Niccolo Machiavelli about Art. We will be happy if you share our collection of quotes with your friends on social networks!
  • A prince must not have any other object nor any other thought… but war, its institutions, and its discipline; because that is the only art befitting one who commands.

    Art   War   Discipline  
  • Every one sees what you appear to be, few really know what you are, and those few dare not oppose themselves to the opinion of the many, who have the majesty of the state to defend them.

    Art   War   Majesty  
    Niccolo Machiavelli (2010). “The Prince”, p.73, FastPencil Inc
  • I believe that it is possible for one to praise, without concern, any man after he is dead since every reason and supervision for adulation is lacking.

    Art   War   Believe  
    Niccolo Machiavelli (2013). “The Art of War and the Prince”, p.8, Simon and Schuster
  • The nature of man is such that people consider themselves put under an obligation as much by the benefits they confer as by those they receive.

    Art   War   Men  
  • Nothing is of greater importance in time of war than in knowing how to make the best use of a fair opportunity when it is offered.

    Art   War   Opportunity  
    "The Art of War". Book by Niccolò Machiavelli, as translated by Neal Wood, 1965.
  • A prince being thus obliged to know well how to act as a beast must imitate the fox and the lion, for the lion cannot protect himself from snares, and the fox cannot defend himself from wolves.

    Art   War   Wish  
    "The Prince". Book by Niccolò Machiavelli, ch. 17, 1513.
  • The people resemble a wild beast, which, naturally fierce and accustomed to live in the woods, has been brought up, as it were, in a prison and in servitude, and having by accident got its liberty, not being accustomed to search for its food, and not knowing where to conceal itself, easily becomes the prey of the first who seeks to incarcerate it again.

    Art   War  
    "Discourses on Livy" by Niccolò Machiavelli, book 1, ch. 16, 1517.
  • Many have imagined republics and principalities which have never been seen or known to exist in reality; for how we live is so far removed from how we ought to live, that he who abandons what is done for what ought to be done, will rather bring about his own ruin than his preservation.

    Art   War  
    Niccolo Machiavelli (2017). “The Prince”, p.48, Race Point Publishing
  • There is nothing as likely to succeed as what the enemy believes you cannot attempt.

    Art   War   Believe  
  • Since the handling of arms is a beautiful spectacle, it is delightful to young men.

    Art   War  
  • Knowing how to fight made men more bold, because no one fears doing what it seems to him he has learned to do. Therefore, the ancients wanted their citizens to be trained in every warlike action.

    Art   War  
  • And when neither their property nor honour is touched, the majority of men live content, and he has only to contend with the ambition of a few, whom he can curb with ease in many ways.

    Art   War   Ambition  
    Niccolo Machiavelli (2015). “The Prince”, p.80, Xist Publishing
  • Without doubt, ferocious and disordered men are much weaker than timid and ordered ones. For order chases fear from men and disorder lessens ferocity.

    Art   War   Men  
  • And if such malignity is hidden for a time, it proceeds from the unknown reason that would not be known because the experience of the contrary had not been seen, but time, which is said to be the father of every truth, will cause it to be discovered.

    Art   War  
    "Discourses on Livy". Book by Niccolo Machiavelli, Book 1, Ch. 3, 1517.
  • We must distinguish between those who depend on others, that is between those who to achieve their purposes can force the issue and those who must use persuasion. In the second case, they always come to grief, having achieved nothing; when, however, they depend on their own resources and can force the issue, then they are seldom endangered.

    Art   War  
  • Nevertheless, he must be cautious in believing and acting, and must not inspire fear of his own accord, and must proceed in a temperate manner with prudence and humanity, so that too much confidence does not render him incautious, and too much diffidence does not render him intolerant. From this arises the question whether it is better to be loved more than feared, or feared more than loved.

    Art   War   Believe  
    "The Prince". Book by Niccolò Machiavelli, ch. 17, as translated by Luigi Ricci (1903), 1513.
  • A prudent man... must behave like those archers who, if they are skillful, when the target seems too distant, know the capabilities of their bow and aim a good deal higher than their objective, not in order to shoot so high but so that by aiming high they can reach the target.

    Art   War  
  • A prince... must learn from the fox and the lion... One must be a fox in order to recognize traps, and a lion to frighten off wolves. Those who act simply as lions are stupid. So it follows that a prudent ruler cannot, and must not, honour his word when it places him at a disadvantage and when the reasons for which he made his promise no longer exist.

    Art   War  
  • As all those have shown who have discussed civil institutions, and as every history is full of examples, it is necessary to whoever arranges to found a Republic and establish laws in it, to presuppose that all men are bad and that they will use their malignity of mind every time they have the opportunity.

    Art   War   Opportunity  
    "Discourses on Livy" by Niccolò Machiavelli, book 1, ch. 3, 1517.
  • I say that every prince must desire to be considered merciful and not cruel. He must, however, take care not to misuse this mercifulness.

    Art   War  
    Niccolo Machiavelli (2017). “The Prince”, p.52, Knickerbocker Classics
  • So in all human affairs one notices, if one examines them closely, that it is impossible to remove one inconvenience without another emerging.

    Art   War  
    "Discourses on Livy" by Niccolò Machiavelli, book 1, ch. 3, as translated by LJ Walker and B Crick, 1517.
  • The reason is that nature has so created men that they are able to desire everything but are not able to attain everything: so that the desire being always greater than the acquisition, there results discontent with the possession and little satisfaction to themselves from it. From this arises the changes in their fortunes; for as men desire, some to have more, some in fear of losing their acquisition, there ensues enmity and war, from which results the ruin of that province and the elevation of another.

    Art   War   Men  
    "Discourses on Livy". Book by Niccolo Machiavelli, Book 1, Ch. 37, (as translated by LJ Walker and B Crick, 1517.
  • I assert once again as a truth to which history as a whole bears witness that men may second their fortune, but cannot oppose it; that they may weave its warp, but cannot break it. Yet they should never give up, because there is always hope, though they know not the end and more towards it along roads which cross one another and as yet are unexplored; and since there is hope, they should not despair, no matter what fortune brings or in what travail they find themselves.

    Art   War  
    "Discourses on Livy" by Niccolò Machiavelli, book 2, ch. 29, as translated by LJ Walker and B Crick, 1517.
  • To know in war how to recognize an opportunity and seize it is better than anything else.

    Art   War   Opportunity  
  • If someone puts up the argument that King Louis gave the Romagna to Pope Alexander, and the kingdom of Naples to Spain, in order to avoid a war, I would answer as I did before: that you should never let things get out of hand in order to avoid war. You don't avoid such a war, you merely postpone it, to your own disadvantage.

    Art   War  
    "The Prince". Book by Niccolò Machiavelli, ch. 3, as translated by RM Adams, 1513.
  • Violence must be inflicted once for all; people will then forget what it tastes like and so be less resentful. Benefits must be conferred gradually; and in that way they will taste better.

    Art   War  
  • A prince, therefore, must not mind incurring the charge of cruelty for the purpose of keeping his subjects united and confident; for, with a very few examples, he will be more merciful than those who, from excess of tenderness, allow disorders to arise, from whence spring murders and rapine; for these as a rule injure the whole community, while the executions carried out by the prince injure only one individual. And of all princes, it is impossible for a new prince to escape the name of cruel, new states being always full of dangers.

    Art   War  
    "The Prince". Book by Niccolò Machiavelli, ch. 17, as translated by Luigi Ricci (1903), 1513.
  • Few men are brave by nature, but good discipline and experience make many so.

    Art   War   Men  
    "The Art of War". Book by Niccolò Machiavelli, as translated by Neal Wood (1965), 1520.
  • Then also pretexts for seizing property are never wanting, and one who begins to live by rapine will always find some reason for taking the goods of others, whereas causes for taking life are rarer and more quickly destroyed.

    Art   War   Causes  
    "The Prince". Book by Niccolò Machiavelli, ch. 17, 1513.
  • You must never believe that the enemy does not know how to conduct his own affairs. Indeed, if you want to be deceived less and want to bear less danger, the more the enemy is weak or the less the enemy is cautious, so much more must you esteem him.

    Art   War   Believe  
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