Kate DiCamillo Quotes About Children
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I am single and childless, but I have lots of friends and I am an aunt to three lovely children.
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For children: I'm writing a picture book about the Big Dipper and a novel about a cricket, a firefly and a vole. For grownups: I'm writing poems.
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The Tiger Rising is, again, about a motherless child. His name is Rob Horton. He is dealing with the death of his mother, when he and his father move to a new town. And two things happen the same day that Rob gets sent home. One is he meets a girl named Sistine Bailey, who is what my mother would call "a piece of work," and he finds a real tiger in a cage in the woods behind the motel where he lives with his dad. And that's the story: what happens with the Sistine tiger, the real tiger and Rob's grief.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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Reading might not be the way that the child engages with the world, but it should be something that they all learn how to do, and that they get to have for themselves, as opposed to somebody telling them what to do and how to do it.
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Reading should not be presented to children as a chore or duty. It should be offered to them as a precious gift.
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I think that that's part of how people have responded to The Tiger Rising. It's what I call my dark child. It's gotten sandwiched in between two overachieving, tap-dance-performing kids - Winn-Dixie and Despereaux.
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I like going to schools and telling classes that when I was a child, I failed every "will this kid become a writer" test.
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What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.
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On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."
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It is always just telling a story, regardless of the age of the reader. Except, if I'm writing something for kids, I know there has to be hope. I don't necessarily feel that responsibility for adults, but I emphatically feel it for children. That's the only difference. There's no syntax difference. There's no semantics difference. There's no thematic difference.
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I was born in Philadelphia and currently live in Minneapolis. I write for both children and adults.
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It distresses me that parents insist that their children read or make them read. I think the best way for children to treasure reading is for them to see the adults in their lives reading for their own pleasure.
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In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.
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