Karen Allen Quotes
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Unfortunately, I feel as actors we have to fight for the right to really go in as many directions as possible.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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I don't necessarily like being defined by my profession.
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I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.
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For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.
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Scripts are kind of a bare bones type of reading material.
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In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
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I've always done things the hard way. I was born like a piece of tangled yarn. The job is trying to untangle it, and I'll probably go on doing it for the rest of my life.
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I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.
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When I read a film script, I kind of see it in my head and I see the moments that shape what I understand the character to be. There's very little time for rehearsal.
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If there are no other wonderful roles that come my way, I have a quite an interesting, dynamic life.
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Caregivers of those with a traumatic brain injury had their blood pressure recorded at certain time of day -- at meals and during other activities, .. The blood pressure of the people who had adopted the pets went down dramatically.
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I'm always surprised when people say, "Oh, it got such mixed reviews." I guess I didn't read them.
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Idleness does drive me crazy, but I'd rather read or write than do anything just to work. A kind of respect has been instilled in me for acting: I love it too much to ever have a bad relationship with it.
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I'm about as healthy as a person can be. I quit smoking seven or eight years ago.
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When independent films break through and actually make it into any level of mainstream-ness or get seen by people or find a life actually in theaters, it's extraordinary. And it doesn't happen that often.
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There's something so wonderful about being an actor in New York.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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Eventually you love people - friends or lovers - because of their flaws.
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CGI is to me like watching a cartoon. It can be effective, if it's done well. A lot of times you don't feel any real risk. You're watching a bunch of computer-generated graphics.
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I've had so many people just come up to me and say, 'When you came up on the screen, everybody in the theater applauded.' It's just so sweet, really.
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I thought, I need to reinvent myself. I want every day of life to be wonderful, fascinating, interesting, creative. And what am I gonna do to make that happen?
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I said to myself, 'I've waited a long time in my life to have a child, and I'm missing it, I want to continue to have a career, but not this way.
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My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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Let's just say I decided that while my son is young I don't want to do projects that would take me away for months.
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You know, I don't really understand a suburban environment. I want to be out in the woods, I want to be where it's wild, I want to wake up and hear birds, I want to walk outside and see a gaggle of turkeys bouncing across my lawn - I want to be someplace like that - or I want to be right in the middle of an urban environment.
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A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.
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I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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