Jonny Greenwood Quotes
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My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.
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I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands, really. It's very old and traditional, But then, you know, so is an orchestra and so is the string section.
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Everything I know about pop culture I know from 'The Simpsons,' and they say the Grammys aren't very good.
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I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.
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I think it should be ambitious and good music does deal with life and art and all these wonderful things.
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I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.
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But over a period of time It's the melodic things that are in my head all day.
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I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
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No, I am not interested in women or sex or anything.
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I'm happy to write 10 times too much music.
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Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
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It feels like Radiohead are famous, but that no one knows who we are. Which is brilliant, really.
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Jamaican reggae is the style of music I always reach for when ranting to friends about how you could listen to one style of music exclusively for the rest of your life - and it would all be great and varied and worth hearing.
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But I was in the Radiohead studio today and Phil was there drumming and Thom was there playing. We feel like we've only just stopped and already people are wanting us to carry on.
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When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.
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I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.
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I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.
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I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
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I'm quite into listening to music and not doing anything else.
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Everything I do feels like It's going to end up being in Radiohead.
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Nothing's more exciting than a day in a studio with a string section - or more ruinously expensive. So it's good to feed that habit away from the band, especially if it means more experience for the next Radiohead string day.
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It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
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I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.
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I think It's a bit of a disappointment that a lot of people's Golden Age of music is still the '60s.
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Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.
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I suppose, counting back, if the Beatles had been influenced by music in the same length of time ago - you'd have to put that into better English for me, thank you - they would have been like a banjo orchestra. They would have been doing show tunes.
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I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.
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Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.
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People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.
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Anything that has more of Graham's guitar playing, I'm bound to like.
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