Ian Mcewan Quotes About Writing
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It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
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The best way to tell people about climate change is through non-fiction. There's a vast literature of outstanding writing on the subject.
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I'm quite good at not writing.
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I couldn't think about novels at all. It seemed the only writing that was appropriate to that horrendous event was journalism, reportage. And, in fact, I think the profession rose quite honorably to the task. Novelists require a slower turnover, I mean, in time.
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When people ask, "Is there any advice you'd give a young writer?," I say write short stories. They afford lots of failure. Pastiche is a great way to start.
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You enter a state of controlled passivity, you relax your grip and accept that even if your declared intention is to justify the ways of God to man, you might end up interesting your readers rather more in Satan.
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But how to do feelings? All very well to write "She felt sad", or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things.
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Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?
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Writing a novel resembles a journey with only the sketchiest of maps.
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At that moment, the urge to be writing was stronger than any notion she had of what she might write.
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If I could write the perfect novella I would die happy.
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In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.
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