Henry Rollins Quotes About Los Angeles
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Whenever I write lyrics, in the back of my mind I always see a guy driving to work, driving to a really bad job, one of those horrible institutions, or one of those low squat buildings in Los Angeles. I write with that person in my mind.
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August in sub-Saharan Los Angeles is one of the great and awful tests of one's endurance, sanity and stamina.
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More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
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For me, returning to Los Angeles annihilates the memories of where I have just been with an astonishing speed.
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I have always identified with Joan Didion's depiction of Los Angeles and Southern California, ever since reading 'Play It As It Lays,' 'Slouching Towards Bethlehem' and 'The White Album.'
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I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
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When you see the Escalades and the Hummers driving down the street, at least in Los Angeles, this dry, flat desert with shopping malls, when you see someone driving one of those through this you're like, 'You are definitely part of the problem.'
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Seasonal change in Los Angeles is often a very subtle thing. It's not as if we finally stop having to shovel the snow out of our driveways and can put our parkas back in the closet.
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Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
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We city dwellers, we residents of Los Angeles and the surrounding areas, are for the most part urbanized to some extent. We know deadlines, start times and traffic.
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