Don DeLillo Quotes About Literature

We have collected for you the TOP of Don DeLillo's best quotes about Literature! Here are collected all the quotes about Literature starting from the birthday of the Writer – November 20, 1936! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 25 sayings of Don DeLillo about Literature. We will be happy if you share our collection of quotes with your friends on social networks!
  • True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.84, Univ. Press of Mississippi
  • Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

    Don DeLillo (2016). “Mao II”, p.34, Pan Macmillan
  • I saw a photograph of a wedding conducted by Reverend Moon of the Unification Church. I wanted to understand this event, and the only way to understand it was to write about it.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.80, Univ. Press of Mississippi
  • It's no accident that my first novel was called Americana. This was a private declaration of independence, a statement of my intention to use the whole picture, the whole culture.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.88, Univ. Press of Mississippi
  • I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.82, Univ. Press of Mississippi
  • A Catholic is raised with the idea that he will die any minute now and if he doesn't live his life in a certain way, this death is an introduction to an eternity of pain.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.81, Univ. Press of Mississippi
  • Never underestimate the power of the State to act out its own massive fantasies.

  • In a repressive society, a writer can be deeply influential, but in a society that's filled with glut and repetition and endless consumption, the act of terror may be the only meaningful act.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.84, Univ. Press of Mississippi
  • People who are in power make their arrangements in secret, largely as a way of maintaining and furthering that power.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.84, Univ. Press of Mississippi
  • I like the construction of sentences and the juxtaposition of words-not just how they sound or what they mean, but even what they look like.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.82, Univ. Press of Mississippi
  • Silence, exile, cunning and so on... it's my nature to keep quiet about most things. Even the ideas in my work.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.4, Univ. Press of Mississippi
  • America was and is the immigrant's dream.

    America  
    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.88, Univ. Press of Mississippi
  • I think there is a sense of last things in my work that probably comes from a Catholic childhood.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.81, Univ. Press of Mississippi
  • One truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language.

    Don DeLillo (1992). “Mao II: A Novel”, p.48, Penguin
  • There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.82, Univ. Press of Mississippi
  • I've always liked being relatively obscure. I feel that's where I belong, that's where my work belongs.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.77, Univ. Press of Mississippi
  • I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?

  • The future belongs to crowds.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.101, Univ. Press of Mississippi
  • It's all about time, dimwit time, inferior time, people checking watches and other devices, other reminders. This is time draining out of our lives. Cities were built to measure time, to remove time from nature. There's an endless counting down, he said. When you strip away surfaces, when you see into it, what's left is terror. This is the thing that literature was meant to cure. The epic poem, the bedtime story.

    Don DeLillo (2010). “Point Omega”, p.36, Pan Macmillan
  • When you try to unravel something you've written, you belittle it in a way. It was created as a mystery.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.75, Univ. Press of Mississippi
  • The writer is the person who stands outside society, independent of affiliation and independent of influence.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.45, Univ. Press of Mississippi
  • People who are powerless make an open theater of violence.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.84, Univ. Press of Mississippi
  • If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.

    1982 Owen Brademas. The Names, ch.4.
  • There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it.

    Don DeLillo, Thomas DePietro (2005). “Conversations with Don DeLillo”, p.82, Univ. Press of Mississippi
  • I think literature has lost it's power. Great novels continue to be written, but they are no longer changing the world.

    "I don't know America anymore". Interview with Christoph Amend, Georg Diez, perival.com. October 11, 2007.
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