Charles de Lint Quotes About Magic

We have collected for you the TOP of Charles de Lint's best quotes about Magic! Here are collected all the quotes about Magic starting from the birthday of the Writer – December 22, 1951! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 21 sayings of Charles de Lint about Magic. We will be happy if you share our collection of quotes with your friends on social networks!
  • I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

  • Like legend and myth, magic fades when it is unused - hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.

    "The Little Country". Book by Charles de Lint, 1991.
  • Like legend and myth, magic fades when it is unused.

    "The Little Country". Book by Charles de Lint, 1991.
  • That's the thing with magic. You've got to know it's still here, all around us, or it just stays invisible for you.

    "Dreams Underfoot : The Newford Collection". Book by Charles de Lint, 2003.
  • The magic in this world seems to work in whispers and small kindnesses.

  • Magic's never what you expect it to be, but it's often what you need.

    Charles de Lint (2007). “Moonlight & Vines”, p.339, Macmillan
  • Life's an act of magic, too. Claire Hamill sings a line in one of her songs that really sums it up for me: 'If there's no magic, there's no meaning.' Without magic- or call it wonder, mystery, natural wisdom- nothing has any depth. It's all just surface. You know: what you see is what you get. I honestly believe there's more to everything than that, whether it's a Monet hanging in a gallery or some old vagrant sleeping in an alley.

  • The old gods and their magics did not dwindle away into murky memories of brownies and little fairies more at home in a Disney cartoon; rather, they changed. The coming of Christ and Christians actually freed them. They were no longer bound to people's expectations but could now become anything that they could imagine themselves to be. They are still here, walking among us. We just don't recognize them anymore.

    Charles De Lint (2000). “Triskell Tales: Twenty-two Years of Chapbooks”, Subterranean
  • A name can't begin to encompass the sum of all her parts. But that's the magic of names, isn't it? That the complex, contradictory individuals we are can be called up complete and whole in another mind through the simple sorcery of a name.

  • The beginning of a friendship, the fact that two people out of the thousands around them can meet and connect and become friends, seems like a kind of magic to me. But maintaining a friendship requires work. I don't mean that as a bad thing. Good art requires work as well.

    Interview with M.M. Hall, www.publishersweekly.com. October 22, 2001.
  • The trouble with magic is that there's too much it just can't fix. When things go wrong, glimpsing junkyard faerie and crows that can turn into girls and back again doesn't help much. The useful magic's never at hand. The three wishes and the genies in bottles, seven-league boots, invisible cloaks and all. They stay in the stories, while out here in the wide world we have to muddle through as best we can on our own.

  • It's all a matter of paying attention, being awake in the present moment, and not expecting a huge payoff. The magic in this world seems to work in whispers and small kindnesses.

  • I believe in a different kind of magic. The kind we make between each other.

    Charles de Lint (2002). “The Onion Girl”, p.49, Macmillan
  • Gina always believed there was magic in the world. "But it doesn't work in the way it does in fairy tales," she told me. "It doesn't save us. We have to save ourselves.

  • It's easy to believe in magic when you're young. Anything you couldn't explain was magic then. It didn't matter if it was science or a fairy tale. Electricity and elves were both infinitely mysterious and equally possible - elves probably more so.

    Charles de Lint (2007). “Moonlight & Vines”, p.374, Macmillan
  • I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.

  • Every time we fix something that broken, whether it's a car engine or a broken heart, that an act of magic. And what makes it magic is that we choose to create or help, just as we can choose to harm.

    Charles de Lint (2009). “The Mystery of Grace”, p.235, Macmillan
  • I'd say that any character or setting can be given a bit of an otherworldly sheen and be the better for it. The one thing I insist on with my own writing is that I won't let magic solve my characters' real world problems. The solutions have to come from the characters themselves.

  • Magic lies in between things, between the day and the night, between yellow and blue, between any two things.

    Charles de Lint (2002). “The Onion Girl”, p.190, Macmillan
  • It is so easy for your people to forget that everything has a spirit, that all are equal. That magic and mystery are a part of your lives, not something to store away in a child's bedroom, or to use as an escape from your lives.

    Charles de Lint (2002). “The Onion Girl”, p.435, Macmillan
  • When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.

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