Adrienne Rich Quotes About Culture

We have collected for you the TOP of Adrienne Rich's best quotes about Culture! Here are collected all the quotes about Culture starting from the birthday of the Poet – May 16, 1929! We hope you will be inspired to new achievements with our constantly updated collection of quotes. At the moment, this page contains 12 sayings of Adrienne Rich about Culture. We will be happy if you share our collection of quotes with your friends on social networks!
  • I am suspicious - first of all, in myself - of adopted mysticisms of glib spirituality, above all of white people's tendency to ... vampirize American Indian, or African, or Asian, or other 'exotic' ways of understanding.

    Adrienne Rich (2003). “What Is Found There: Notebooks on Poetry and Politics (Expanded Edition)”, p.16, W. W. Norton & Company
  • In the interstices of language lie powerful secrets of the culture.

    Lying  
    Adrienne Rich (1995). “Of Woman Born: Motherhood as Experience and Institution”, p.198, W. W. Norton & Company
  • "Global culture" is of course not a culture: it's the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.

    Source: www.paulodacosta.ca
  • It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of "sexual preference" and the issue of civil rights, to become a politics of asking women's questions, demanding a world in which the integrity of all women--not a chosen few--shall be honored and validated in every respect of culture.

  • The belief that established science and scholarship--which have so relentlessly excluded women from their making--are "objective"and "value-free" and that feminist studies are "unscholarly," "biased," and "ideological" dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture!

  • What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.

    Source: criticalflame.org
  • Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience. The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.

  • I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which 'sexism' is too facile a term. It is really an intellectual defect, which might be termed 'patrivincialism' or patrochialism': the assumption that women are a subgroup, that men's culture is the 'real' world, that patriarchy is equivalent to culture and culture to patriarchy, that the 'great' or 'liberalizing' periods of history have been the same for women as for men.

  • The most notable fact that our culture imprints on women is a sense of our limits. The most important thing a woman can do for another is to illuminate her actual possibilities.

  • Poetry reaches into places in us that we are suppose to ignore or mistrust, that are perceived as subversive or non-useful, in what is fast becoming known as global culture.

    Source: www.paulodacosta.ca
  • Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation. It's been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.

    Source: www.paulodacosta.ca
  • How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying. To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.

    Lying  
    Adrienne Rich (1995). “On Lies, Secrets, and Silence: Selected Prose 1966-1978”, p.5, W. W. Norton & Company
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